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_:b48iddOtlocdOtgovauthoritiesnamesn2018021422 <http://www.loc.gov/mads/rdf/v1#citationSource> "Piero Manzoni, the twin paintings, 2018:" .
_:b48iddOtlocdOtgovauthoritiesnamesn2018021422 <http://www.loc.gov/mads/rdf/v1#citationNote> "ECIP galley (Manzoni's concept of Achromes stemmed from his idea to express a minimal, absolute concept that was absolutely devoid of color; In late 1957 he began making his first 'white paintings,' later named Achromes, at first with rough gesso, and then with kaolin, as well as canvases with creases or a surface divided into squares; new cycles of Achromes (in fiberglass and synthetic fiber, rabbit skin, bread, straw, and wrapping paper), in 1961)" .
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_:b56iddOtlocdOtgovauthoritiesnamesn2018021422 <http://www.loc.gov/mads/rdf/v1#citationSource> "Oxford art online, Apr. 17, 2018" .
_:b56iddOtlocdOtgovauthoritiesnamesn2018021422 <http://www.loc.gov/mads/rdf/v1#citationNote> "(under Manzoni, Piero: Around 1957 Manzoni began the Achromes series; During the last years of his life Manzoni continued producing Achromes using a vast range of new materials: wads of cotton, canvas or cotton chemically treated so that changes in temperature would alter the colour, dinner rolls sealed in plastic and covered with kaolin, waste paper, stones and other materials)" .
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_:b64iddOtlocdOtgovauthoritiesnamesn2018021422 <http://www.loc.gov/mads/rdf/v1#citationSource> "Tate Gallery website, Apr. 17, 2018" .
_:b64iddOtlocdOtgovauthoritiesnamesn2018021422 <http://www.loc.gov/mads/rdf/v1#citationNote> "(under Piero Manzoni/Achrome: He gave the title Achrome to all of the white works he made from 1957 until his death in 1963; Manzoni wanted to rid painting of narrative content, and for him this involved removing colour from his works)" .
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