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Sime, Sidney Herbert, 1867-1941

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  • Instance Of

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  • Variants

    • Sime, Sidney H.
    • Sime, S. H. (Sidney Herbert), 1867-1941
  • Additional Information

    • Birth Date

        (edtf) 1867
    • Death Date

        (edtf) 1941-05-22
    • Birth Place

        (naf) Manchester (England)
    • Occupation

  • Exact Matching Concepts from Other Schemes

  • Closely Matching Concepts from Other Schemes

  • Earlier Established Forms

    • Sime, Sidney H.
  • Sources

    • found: nuc90-67445: Sidney H. Sime, c1978(hdg. on CaOTP rept.: Sime, Sidney H.)
    • found: LC data base, 05-15-92(hdg.: Sime, Sidney H.)
    • found: Sword of Welleran, 1908:t.p. (illustrations by S.H. Sime)
    • found: Dict. of Brit. Authors, 1985:p. 460 (Sime, Sidney Herbert)
    • found: RLIN, 1/27/97(hdg.: Sime, S. H. (Sidney Herbert), 1867-1941; usage: S.H. Sime, Sidney Sime, Sidney H. Sime)
    • found: LC in RLIN, 1/27/97(hdg.: Sime, Sidney H.; usage: Sidney Sime, Sidney H. Sime)
    • found: La espada ed Welleran y otras enso├▒aciones, 1982:title page (ilustraciones originales de S.H. Sime)
    • found: Wikipedia, April 5, 2016(Sidney Sime; Sidney Herbert Sime; born 1867 in Manchester; died May 22, 1941; often S. H. Sime; English artist in the late Victorian and succeeding periods, mostly remembered for his fantastic and satirical artwork, especially his story illustrations for Irish author Lord Dunsany; after a five-year career in the mines, including as a "scoop pusher," work at a linen shop, a barbers, and as a signwriter (setting up in his own right), he studied at the Liverpool School of Art; during his time there, he won several awards; Sime quickly became famous for drawings and illustrations with fantastic themes, with a presence in Pick-Me-Up, The Idler and the Pall Mall Gazette; the fantastic treatment often masked biting satire, especially aimed at the rich and at politicians; he received an inheritance after an uncle died and bought The Idler, but sold out within two years; Sime, who had produced a play with limited success in 1905, did both scenery and costume work for a number of productions, and had exhibitions in 1923 and 1927; in his later years, he produced less work but more in colour, his earlier work having been almost exclusively monochrome; Sime also contributed frontispieces to The Ghost Pirates by William Hope Hodgson and The House of Souls by Arthur Machen)
  • Change Notes

    • 1992-05-15: new
    • 2016-04-06: revised
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