<marcxml:record xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:marcxml="http://www.loc.gov/MARC21/slim" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:madsrdf="http://www.loc.gov/mads/rdf/v1#" xmlns:ri="http://id.loc.gov/ontologies/RecordInfo#" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:mets="http://www.loc.gov/METS/">
	    <marcxml:leader>01085cz   2200205n  4500</marcxml:leader>
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      <marcxml:subfield code="a">Aesthetic movement (Art)</marcxml:subfield>
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      <marcxml:subfield code="a">Aesthetic movement (British art)</marcxml:subfield>
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      <marcxml:subfield code="a">Movement, Aesthetic</marcxml:subfield>
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      <marcxml:subfield code="a">Aesthetics</marcxml:subfield>
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      <marcxml:subfield code="a">Art</marcxml:subfield>
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      <marcxml:subfield code="a">Louis Comfort Tiffany and Stanford White and their circle, 1998:</marcxml:subfield>
      <marcxml:subfield code="b">p. 10, etc. (two cultural ideas dominated the period, the American Renaissance and the Aesthetic Movement; American Aesthetic Movement; Tiffany's work exemplified the Aesthetic Movement)</marcxml:subfield>
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	    <marcxml:datafield tag="670" ind1=" " ind2=" ">
      <marcxml:subfield code="a">Grove dict. art, 1996</marcxml:subfield>
      <marcxml:subfield code="b">(Term used to describe a movement of the 1870s and 1880s that manifested itself in the fine and decorative arts architecture in Britain and subsequently in the USA; James McNeill Whistler came closest to the ideals of the Aesthetic Movement; Wm. Morris ... helped to extend its influence to the USA.)</marcxml:subfield>
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