. . "Music--Interpretation (Phrasing, dynamics, etc.)"@en . _:b7iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b7iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b7iddOtlocdOtgovauthoritiessubjectssh85088799 _:b015 . . . "Music"@en . _:b12iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b12iddOtlocdOtgovauthoritiessubjectssh85088799 _:b13iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b12iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b13iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b13iddOtlocdOtgovauthoritiessubjectssh85088799 "Music"@en . _:b015 . _:b015 . . . "Interpretation (Phrasing, dynamics, etc.)"@en . _:b20iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b20iddOtlocdOtgovauthoritiessubjectssh85088799 _:b21iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b20iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b21iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b21iddOtlocdOtgovauthoritiessubjectssh85088799 "Interpretation (Phrasing, dynamics, etc.)"@en . _:b24iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b24iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b24iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b24iddOtlocdOtgovauthoritiessubjectssh85088799 "Articulation (Music)"@en . _:b24iddOtlocdOtgovauthoritiessubjectssh85088799 _:b29iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b29iddOtlocdOtgovauthoritiessubjectssh85088799 _:b30iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b29iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b30iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b30iddOtlocdOtgovauthoritiessubjectssh85088799 "Articulation (Music)"@en . _:b33iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b33iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b33iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b33iddOtlocdOtgovauthoritiessubjectssh85088799 "Dynamics (Music)"@en . _:b33iddOtlocdOtgovauthoritiessubjectssh85088799 _:b38iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b38iddOtlocdOtgovauthoritiessubjectssh85088799 _:b39iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b38iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b39iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b39iddOtlocdOtgovauthoritiessubjectssh85088799 "Dynamics (Music)"@en . _:b42iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b42iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b42iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b42iddOtlocdOtgovauthoritiessubjectssh85088799 "Interpretation, Musical"@en . _:b42iddOtlocdOtgovauthoritiessubjectssh85088799 _:b47iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b47iddOtlocdOtgovauthoritiessubjectssh85088799 _:b48iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b47iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b48iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b48iddOtlocdOtgovauthoritiessubjectssh85088799 "Interpretation, Musical"@en . _:b51iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b51iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b51iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b51iddOtlocdOtgovauthoritiessubjectssh85088799 "Music--Dynamics, phrasing"@en . _:b51iddOtlocdOtgovauthoritiessubjectssh85088799 _:b56iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b56iddOtlocdOtgovauthoritiessubjectssh85088799 _:b57iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b56iddOtlocdOtgovauthoritiessubjectssh85088799 _:b064 . _:b57iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b57iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b57iddOtlocdOtgovauthoritiessubjectssh85088799 "Music"@en . _:b57iddOtlocdOtgovauthoritiessubjectssh85088799 _:b61iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b61iddOtlocdOtgovauthoritiessubjectssh85088799 _:b62iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b61iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b62iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b62iddOtlocdOtgovauthoritiessubjectssh85088799 "Music"@en . _:b064 _:b65iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b064 . _:b65iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b65iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b65iddOtlocdOtgovauthoritiessubjectssh85088799 "Dynamics, phrasing"@en . _:b65iddOtlocdOtgovauthoritiessubjectssh85088799 _:b69iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b69iddOtlocdOtgovauthoritiessubjectssh85088799 _:b70iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b69iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b70iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b70iddOtlocdOtgovauthoritiessubjectssh85088799 "Dynamics, phrasing"@en . _:b73iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b73iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b73iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b73iddOtlocdOtgovauthoritiessubjectssh85088799 "Music--Phrasing, dynamics"@en . _:b73iddOtlocdOtgovauthoritiessubjectssh85088799 _:b78iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b78iddOtlocdOtgovauthoritiessubjectssh85088799 _:b79iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b78iddOtlocdOtgovauthoritiessubjectssh85088799 _:b086 . _:b79iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b79iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b79iddOtlocdOtgovauthoritiessubjectssh85088799 "Music"@en . _:b79iddOtlocdOtgovauthoritiessubjectssh85088799 _:b83iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b83iddOtlocdOtgovauthoritiessubjectssh85088799 _:b84iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b83iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b84iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b84iddOtlocdOtgovauthoritiessubjectssh85088799 "Music"@en . _:b086 _:b87iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b086 . _:b87iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b87iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b87iddOtlocdOtgovauthoritiessubjectssh85088799 "Phrasing, dynamics"@en . _:b87iddOtlocdOtgovauthoritiessubjectssh85088799 _:b91iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b91iddOtlocdOtgovauthoritiessubjectssh85088799 _:b92iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b91iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b92iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b92iddOtlocdOtgovauthoritiessubjectssh85088799 "Phrasing, dynamics"@en . _:b95iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b95iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b95iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b95iddOtlocdOtgovauthoritiessubjectssh85088799 "Musical interpretation"@en . _:b95iddOtlocdOtgovauthoritiessubjectssh85088799 _:b100iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b100iddOtlocdOtgovauthoritiessubjectssh85088799 _:b101iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b100iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b101iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b101iddOtlocdOtgovauthoritiessubjectssh85088799 "Musical interpretation"@en . _:b104iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b104iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b104iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b104iddOtlocdOtgovauthoritiessubjectssh85088799 "Phrasing (Music)"@en . _:b104iddOtlocdOtgovauthoritiessubjectssh85088799 _:b109iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b109iddOtlocdOtgovauthoritiessubjectssh85088799 _:b110iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b109iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b110iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b110iddOtlocdOtgovauthoritiessubjectssh85088799 "Phrasing (Music)"@en . "150 $aMusic$xInterpretation (Phrasing, dynamics, etc.)" . . . "musiikin tulkinta"@fi . . . . "Music--Performance"@en . _:b124iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b124iddOtlocdOtgovauthoritiessubjectssh85088799 _:b125iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b124iddOtlocdOtgovauthoritiessubjectssh85088799 _:b0132 . _:b125iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b125iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b125iddOtlocdOtgovauthoritiessubjectssh85088799 "Music"@en . _:b125iddOtlocdOtgovauthoritiessubjectssh85088799 _:b129iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b129iddOtlocdOtgovauthoritiessubjectssh85088799 _:b130iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b129iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b130iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b130iddOtlocdOtgovauthoritiessubjectssh85088799 "Music"@en . _:b0132 _:b133iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b0132 . _:b133iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b133iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b133iddOtlocdOtgovauthoritiessubjectssh85088799 "Performance"@en . _:b133iddOtlocdOtgovauthoritiessubjectssh85088799 _:b137iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b137iddOtlocdOtgovauthoritiessubjectssh85088799 _:b138iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b137iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b138iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b138iddOtlocdOtgovauthoritiessubjectssh85088799 "Performance"@en . . . "Music--Interpretation (Phrasing, dynamics, etc)" . . . "Artikulation " . . . "Musical accentuation"@en . . . "Music--Interpretation (Phrasing, dynamics, etc)--Study and teaching" . . . "Microrhythm"@en . . . "Rubato"@en . . . "Musikalische Aufführungspraxis" . . . "Interprétation (musique)"@fr . . . . . "Adorno, Theodor W., 1903-1969 Towards a theory of musical reproduction" . . . "Amelina, Marina Georgievna Penie--prostranstvo zhizni" . . . "Amīr Mīnāʼī, Amīr Aḥmad, 1828-1900 Nag̲h̲mah-yi qudsī" . . . "Assis, Paulo de Logic of experimentation" . . . "Bach-Interpretationen" . . . "Bălan, George Sensurile muzicii" . . . "Barenboim, Daniel, 1942- Parallels and paradoxes" . . . "Barenboim, Daniel, 1942- Parallels and paradoxes" . . . "Batalova, Rosit︠s︡a Razmisli i spomeni za dirigentskoto izkustvo" . . . "Beethoven, das Problem der Interpretation" . . . "Beiträge zur Interpretationsästhetik und Hermeneutik-Diskussion" . . . "Blum, David, 1935-1998 Casals and the art of interpretation" . . . "Božanić, Zoran Muzička fraza" . . . "Breidenstein, Helmut, 1935- Mozart's tempo-system" . . . "Breidenstein, Helmut, 1935- Mozarts Tempo-System" . . . "Bruderhans, Zdeněk Music, tectonics, and flute playing" . . . "Careri, Enrico Studi su esecuzione e interpretazione" . . . "Cirone, Anthony J. On musical interpretation in percussion performance" . . . "Clardy, Mary Karen Flute fundamentals" . . . "Czapraga, Bernadeta, 1977- Wolfgang Amadé Mozarts Violinkonzert A-Dur KV 219 in ausgewählten Interpretationen" . . . "Darstellen und Mitteilen" . . . "Dolmetsch, Arnold, 1858-1940 The interpretation of the music of the XVII and XVIII centuries revealed by contemporary evidence" . . . "Essays in honor of László Somfai on his 70th birthday" . . . "Experimental affinities in music" . . . "Funke, Gerhard Interpretation" . . . "Furtwängler, Wilhelm, 1886-1954 Aufzeichnungen, 1924-1954" . . . "Gallas, Maciej Ewangelista w Pasji wg śwl. Jana Johanna Sebastiana Bacha" . . . "Gardi, Nino La coscienza di Arturo" . . . "Gemessene Interpretation" . . . "Geoffroy-Dechaume, Antoine Les \"secrets\" de la musique ancienne" . . . "Ginzburg, L. S. (Lev Solomonovich), 1907- O rabote nad muzykalʹnym proizvedeniem" . . . "Gottschewski, Hermann Die Interpretation als Kunstwerk" . . . "Gouttenoire, Philippe Comprendre et interpréter la phrase musicale" . . . "Graf, Peter-Lukas, 1929- Interpretation" . . . "Graziosi, Giorgio, 1911-1966 L'interpretazione musicale" . . . "Grum-Grzhimaĭlo, T. N. (Tamara Nikolaevna) Muzykalʹnoe ispolnitelʹstvo" . . . "Hinrichsen, Hans-Joachim Musikalische Interpretation Hans von Bülow" . . . "Inagaki, Hidehiro, 1968- Akatonbo wa naze sao no saki ni tomaru no ka?" . . . "Interpretação musical" . . . "Interpretare" . . . "Ito, John Paul Focal impulse theory" . . . "Ito, John Paul Focal impulse theory" . . . "Jacobson, David (David P.), 1955- Lost secrets of master musicians" . . . "Kaboff, John Kaboff cello school guide to left hand technique" . . . "Keller, Hermann, 1885-1967 Die musikalische Artikulation" . . . "Keller, Hermann, 1885-1967 Phrasing and articulation" . . . "Keller, Hermann, 1885-1967 Phrasing and articulation" . . . "Kelly, Thomas Forrest Early music" . . . "Kittnarová, Olga Rozeznělé partitury" . . . "Kolb, Tom Amazing phrasing" . . . "Krause, Martina, Dr. Phil. Bedeutung und Bedeutsamkeit" . . . "Laudermilch, Kenneth An understandable approach to musical expression" . . . "Le Guin, Elisabeth, 1957- Boccherini's body" . . . "Leinsdorf, Erich, 1912-1993 The composer's advocate" . . . "Lussy, Mathis, 1828-1910 Traité de l'expression musicale" . . . "Mauricio Kagel bei den Internationalen Ferienkursen für Neue Musik in Darmstadt" . . . "McEwen, John B. (John Blackwood), 1868-1948 The thought in music" . . . "Morant, Philippe Les polonaises de jeunesse" . . . "Mozart, Wolfgang Amadeus, 1756-1791 Mozart piano quartet in G minor, K. 478" . . . "Musical gestures" . . . "Musikalische Interpretation" . . . "Musikalische Interpretation im Dialog" . . . "Musikalische Produktion und Interpretation" . . . "Muzykalʹnoe ispolnitelʹstvo" . . . "Navickaitė, Lina Pokalbių siuita" . . . "Nosal, Marek Twórczość kompozytorów polskich na gitarę solo po 1945 roku" . . . "Nowak, Jerry The art of expressive playing" . . . "Nuti, Gianni Le corps qui pense" . . . "Parrott, Andrew Composers' intentions?" . . . "Performing history" . . . "Perspektiven musikalischer Interpretation" . . . "Pierce, Alexandra Deepening musical performance through movement" . . . "Pierce, Alexandra Deepening musical performance through movement" . . . "Prejsnar, Magdalena Forma i technika dźwiękowa oraz problemy interpretacyjne w wybranych preludiach fortepianowych kompozytorów polskich XX wieku" . . . "Problemy muzychnoï interpretat︠s︡iï" . . . "Problemy stili︠a︡ i interpretat︠s︡ii muzyki barokko" . . . "Quantz, Johann Joachim, 1697-1773 Versuch einer Anweisung die Flöte traversiere zu spielen .." . . . "Querol Gavaldá, Miguel Transcripción e interpretación de la polifonía española de los siglos XV y XVI" . . . "Riemann, Hugo, 1849-1919 Vademecum der phrasierung" . . . "Rothschild, Fritz Stress and movement in the works of J.S. Bach" . . . "Serebri︠a︡kovskie chtenii︠a︡ (4th: 2005: Volgograd, Russia) Materialy mezhdunarodnoĭ nauchno-prakticheskoĭ konferent︠s︡ii \"IV Serebri︠a︡kovskie chtenii︠a︡\"" . . . "Šimúnek, Eugen Problémy estetiky hudobnej interpretácie" . . . "Sokol, A. V. (Aleksandr Viktorovich) Ispolnitelʹskie remarki, obraz mira i muzykal'nyĭ stilʹ" . . . "Sokol, A. V. (Aleksandr Viktorovich) Teorii︠a︡ muzykalʹnoĭ artikuli︠a︡t︠s︡ii" . . . "Sovremennye problemy muzykalʹno-ispolnitelʹnogo iskusstva" . . . "Stein, Erwin, 1885-1958 Form and performance" . . . "Stenger, Alfred Beethoven: Diabellivariationen, Chopin: 24 préludes" . . . "Studies of music performance" . . . "Swarowsky, Hans Wahrung der Gestalt" . . . "Swinkin, Jeffrey Performative analysis" . . . "Tacchinardi, Guido, 1840-1917 Studio sulla interpretazione della musica" . . . "Tétaz, Numa-F., 1926- Ernest Ansermet, interprète" . . . "Trier, George Manuscript sense" . . . "T︠S︡ypin, G. M. (Gennadiĭ Moiseevich) Muzykalʹno-ispolnitelʹskoe iskusstvo" . . . "Vancea, Zeno Studii și eseuri muzicale" . . . "Vega, Carlos, 1898-1966 Fraseología" . . . "Vial, Stephanie The art of musical phrasing in the eighteenth century" . . . "Voprosy muzykalʹno-ispolnitelʹskogo iskusstva" . . . "Wieland, Renate Forschendes Üben" . . . "Wüstendörfer, Lena-Lisa Klingender Zeitgeist" . . "subdivision [Interpretation (Phrasing, dynamics, etc.)] under forms and types of musical compositions, e.g. [Operas--Interpretation (Phrasing, dynamics, etc.)]" . "sh 85088799" . . . _:b582iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b582iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b582iddOtlocdOtgovauthoritiessubjectssh85088799 "LCCN 2003476095: Severus, J. Die Artikulationspraxis J.S. Bachs und Möglichkeiten ihrer Anwendung in den Klavierwerken, c2002." . _:b582iddOtlocdOtgovauthoritiessubjectssh85088799 "found" . _:b588iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b588iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b588iddOtlocdOtgovauthoritiessubjectssh85088799 "Grovemusic.com WWW site, Oct. 17, 2003" . _:b588iddOtlocdOtgovauthoritiessubjectssh85088799 "(Articulation and phrasing: The separation of successive notes from one another, singly or in groups, by a performer, and the manner in which this is done. The term \"phrasing\" implies a linguistic or syntactic analogy, and since the 18th century this analogy has constantly been invoked in discussing the grouping of successive notes, especially in melodies; the term \"articulation\" refers primarily to the degree to which a performer detaches individual notes from one another in practice (e.g. in staccato and legato))"@en . _:b588iddOtlocdOtgovauthoritiessubjectssh85088799 "found" . _:b596iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b596iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b596iddOtlocdOtgovauthoritiessubjectssh85088799 "2003-10-17T00:00:00"^^ . _:b596iddOtlocdOtgovauthoritiessubjectssh85088799 "new"^^ . _:b596iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b603iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b603iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b603iddOtlocdOtgovauthoritiessubjectssh85088799 "2003-11-28T09:05:52"^^ . _:b603iddOtlocdOtgovauthoritiessubjectssh85088799 "revised"^^ . _:b603iddOtlocdOtgovauthoritiessubjectssh85088799 . . "Music--Interpretation (Phrasing, dynamics, etc.)"@en . _:b613iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b613iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b613iddOtlocdOtgovauthoritiessubjectssh85088799 "Articulation (Music)"@en . _:b618iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b618iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b618iddOtlocdOtgovauthoritiessubjectssh85088799 "Dynamics (Music)"@en . _:b623iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b623iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b623iddOtlocdOtgovauthoritiessubjectssh85088799 "Interpretation, Musical"@en . _:b628iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b628iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b628iddOtlocdOtgovauthoritiessubjectssh85088799 "Music--Dynamics, phrasing"@en . _:b633iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b633iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b633iddOtlocdOtgovauthoritiessubjectssh85088799 "Music--Phrasing, dynamics"@en . _:b638iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b638iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b638iddOtlocdOtgovauthoritiessubjectssh85088799 "Musical interpretation"@en . _:b643iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b643iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b643iddOtlocdOtgovauthoritiessubjectssh85088799 "Phrasing (Music)"@en . . . "Music--Performance"@en . . . "Musical accentuation"@en . . . "Microrhythm"@en . . . "Rubato"@en . . . "musiikin tulkinta"@fi . . . "Music--Interpretation (Phrasing, dynamics, etc)" . . . "Artikulation " . . . "Musikalische Aufführungspraxis" . . . "Interprétation (musique)"@fr . . . "Music--Interpretation (Phrasing, dynamics, etc)--Study and teaching" . "subdivision [Interpretation (Phrasing, dynamics, etc.)] under forms and types of musical compositions, e.g. [Operas--Interpretation (Phrasing, dynamics, etc.)]" . . "Articulation (Music)"@en . "Dynamics (Music)"@en . "Interpretation, Musical"@en . "Music--Dynamics, phrasing"@en . "Music--Phrasing, dynamics"@en . "Musical interpretation"@en . "Phrasing (Music)"@en . _:b715iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b715iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b715iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b715iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b715iddOtlocdOtgovauthoritiessubjectssh85088799 "2003-10-17T00:00:00"^^ . _:b715iddOtlocdOtgovauthoritiessubjectssh85088799 "new"^^ . _:b723iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b723iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b723iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b723iddOtlocdOtgovauthoritiessubjectssh85088799 . _:b723iddOtlocdOtgovauthoritiessubjectssh85088799 "2003-11-28T09:05:52"^^ . _:b723iddOtlocdOtgovauthoritiessubjectssh85088799 "revised"^^ .