Bibframe Work

Introduction

Independent of what? sorting out differences from hollywood / Janet Staiger

"Independent", "Indie" and "Indiewood": towards a periodisation of contemporary (post-1980) American independent cinema / Yannis Tzioumakis

Thriving or in permanent crisis? Discourses on the state of indie cinema / Geoff King

Quirky: buzzword or sensibility? / James MacDowell

Movies for Hipsters / Michael Z. Newman

Discerning independents: Steven Soderbergh and transhistorical taste cultures / Mark Gallagher

Their own personal velocity: women directors and contemporary independent cinema / Michele Schreiber

Last indie standing: the special case of Lions Gate in the new millennium / Alisa Perren

Conglomerate Hollywood and American independent film / Thomas Schatz

Reputational capital, creative conflict and Hollywood independence: the case of Hal Ashby / Philip Drake

The limits of autonomy: Stanley Kubrick, Hollywood and independent filmmaking, 1950-53 / Peter Krämer

Independent nature: wildlife films between Hollywood and indiewood / Claire Molloy

In Hollywood, but not of Hollywood: independent Christian filmmaking / James Russell

Welcome to the (neo) grindhouse! sex, violence and the indie film / Sarah Wharton

Faux feal? C.S.A.: The Confederate States of America as the response to The Birth of a Nation / Novotny Lawrence

Measuring online word-of-mouth: the initial reception of Inland Empire (2006) on the Web / Warren Buckland.