The Library of Congress > Linked Data Service > BIBFRAME Works

Bibframe Work

Title
Just around midnight
Type
Text
Monograph
Subject
Rock music--Social aspects (LCSH)
Rock music--1961-1970--History and criticism (LCSH)
Music and race--United States--History--20th century (LCSH)
Music and race--Great Britain--History--20th century (LCSH)
African American rock musicians (LCSH)
Language
English
Illustrative Content
Illustrations
Classification
LCC: ML3534 .H336 2016
DDC: 781.6609/046 full
Could not render: bf:status
Supplementary Content
bibliography
index
Content
text
Summary
Just around Midnight explores the interplay of popular music and racial thought in the 1960s by asking how, when, and why rock and roll music "became White." By the time Jimi Hendrix died in 1970 the idea of a Black man playing electric lead guitar was considered literally remarkable in ways it had not been for Chuck Berry only ten years earlier: this book explains how this happened. By excavating an extraordinarily cosmopolitan aesthetic amidst a far-flung community of artists on both sides of the Atlantic, including Bob Dylan, Sam Cooke, the Beatles, Aretha Franklin, Dusty Springfield, the Rolling Stones, Jimi Hendrix and others, Just around Midnight offers an interracial counter-history of Sixties music that rejects hermetic ideals of racial authenticity while revealing the pernicious effects of these ideologies on musical understanding.-- Provided by publisher
Table Of Contents
Darkness at the break of noon: Sam Cooke, Bob Dylan and the birth of Sixties music
The White Atlantic: cultural origins of the "British Invasion"
Friends across the sea: Motown, the Beatles, and sites and sounds of crossover
Being good isn't always easy: Aretha Franklin, Janis Joplin, Dusty Springfield, and the color of soul
House burning down: race, rock writing, and Jimi Hendrix's war
Just around midnight: the Rolling Stones and the end of the Sixties.
Authorized Access Point
Hamilton, Jack, 1979- Just around midnight