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Bibframe Work

Beyoncé in formation
Genre Form
Illustrative Content
LCC: ML420.K675 T56 2018 (Source: dlc)
DDC: 782.42164092 full (Assigner: dlc)
Identified By
Lccn: 2018014320
text (Source: rdacontent)
Making headlines when it was launched in 2015, Omise'eke Natasha Tinsley's undergraduate course "Beyonce Feminism, Rihanna Womanism" has inspired students from all walks of life. In Beyonce in Formation, Tinsley now takes her rich observations beyond the classroom, using the blockbuster album and video Lemonade as a soundtrack for vital next-millennium narratives. Woven with candid observations about her life as a feminist scholar of African studies and a cisgender femme married to a trans spouse, Tinsley's "Femme-onade" mixtape explores myriad facets of black women's sexuality and gender. Turning to Beyonce's "Don't Hurt Yourself," Tinsley assesses black feminist critiques of marriage and then considers the models of motherhood offered in "Daddy Lessons," interspersing these passages with memories from Tinsley's multiracial family history. Her chapters on nontraditional bonds culminate in a discussion of contemporary LGBT politics through the lens of the internet-breaking video "Formation," underscoring why Beyonce's black femme-inism isn't only for ciswomen. From pleasure politics and the struggle for black women's reproductive justice to the subtext of blues and country music traditions, the landscape in this tour is populated by activists and artists (including Loretta Lynn) and infused with vibrant interpretations of Queen Bey's provocative, peerless imagery and lyrics. In the tradition of Roxanne Gay's Bad Feminist and Jill Lepore's bestselling cultural histories, Beyonce in Formation is the work of a daring intellectual who is poised to spark a new conversation about freedom and identity in America.
Table Of Contents
Introduction: for the Texas bama femme
Family album: making lemonade out of marriage, motherhood, and southern tradition
Queen bee blues
Mama said shoot
Most bomb pussy: toward a black feminist pleasure politics
Love the grind
Unapologetically femme
Calling for freedom: black women's activism in the US south
Freedom, too
I came to slay
Outro: I know Beyoncé loves black femmes.
Authorized Access Point
Tinsley, Omise'eke Natasha, 1971- Beyoncé in formation