Bibframe Work

Vocal styles and combinations. Hollerin' (Tom Chesser)

Eephing (Jimmy Riddle)

House carpenter (Almeda Riddle)

The day is passed and gone (Dorothy Melton)

Sometimes I feel like a motherless child (Jones & Jefferson)

My soul is a witness (group of La. Negro children)

Bells of love (Middle Ga. Singing Convention no. 1)

Amazing grace (sung by congregation of Old Regular Baptist Church, Jeff. Ky.)

Traditional instruments. Jim and John had a race (Ed, Lonnie & G.D. Young)

Fox chase (Joe Patterson, quills)

Fox chase (Dan Smith, jews harp)

Blowing in the bottle (Dan Smith, coke bottle)

Mississippi swamp moan (Alfred Lewis)

Ida Red/Sally Goodin (Eli Owens, mouth bow)

Soon in the morning, babe (Lucius Smith, banjo)

Little Sadie (Clarence Ashley)

Sallie Gooden (A.C. (Eck) Robertson)

Arkansas traveller (Raymond Melton, Appalachian dulcimer)

Mississippi sawyer (Virgil Cravens, hammered dulcimer)

Flopeared mule (Kilby Snow, authoharp)

Buck dancer's choice (Sam McGee)

Development of ensembles and early commercial music. Mon chere bebe Creole (Dennis McGee and S.D. Courville)

Take me back to the sweet sunny South (DaCosta Woltz Southern Broadcasters)

Brownie blues (Tarter and Gay)

Memphis stomp (The Blue Boys)

Jordan is a hard road to travel (Uncle Dave Macon & the Fruit Jar Drinkers)

John makes good likker, part 3 (Fiddling John Carson and Moonshine Kate)

K.C. Moan (Memphis Jug Band)

I never will marry (Carter Family)

Never no more (Jimmie Rodgers)

The development of commercialized rural musics. Precious jewel (Roy Acuff)

Take me back to Tulsa (Bob Wills & Tommy Duncan)

Honky tonk blues (Hank Williams)

I'm going back to old Kentucky (Bill Monroe and his Bluegrass Boys)

Rolling and tumbling (Baby Face Leroy Trio)

Hound dog (Willie Mae Thornton)

I'm coming home (Staples Singers)

In the good old days (when times were bad) (Dolly Parton)

Lord Mr. Ford (Jerry Reed).