Fry, Roger, 1866-1934
פריי, רוג׳ר אליוט, 1866־1934
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Fuller Name
Variants
Fry, Roger Eliot, 1866-1934
פריי, רוג׳ר אליוט, 1866־1934
Fry, R. E. (Roger Eliot), 1866-1934
Fry, Roger E. (Roger Eliot), 1866-1934
Fry, Roger (Roger Eliot), 1866-1934
Fry, Roger
Identifies LC/NAF RWO
Identifies RWO
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Has Affiliation
Has Affiliation
Has Affiliation
- Organization: Omega Workshops
- Affiliation Start: 1913
- Affiliation End: 1919
Has Affiliation
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Use For
Exact Matching Concepts from Other Schemes
Closely Matching Concepts from Other Schemes
Earlier Established Forms
Sources
found: Author's A catalogue of an exhibition of old masters in aid of the National art-collections fund ... 1911
found: Reflections on British painting, 1934:t. p. (Roger Fry)
found: West Archives (website), viewed March 3, 2023:Roger Eliot Fry Papers, 1909-1936 (Roger Eliot Fry, art critic and artist, was born in London December 14, 1866. He studied science at King's College, Cambridge from 1885 to 1888 and during those years he also began to paint and to study the history of Italian painting. In 1891 he made his first trip to Italy and in 1894 he began to lecture, with great success, on the Italian Renaissance. From 1900 onwards he wrote articles and reviewed exhibitions for Athenaeum, The Monthly Review and The Burlington Magazine. He quickly earned a considerable reputation as an art scholar and expert, and in 1905 he became director of the Metropolitan Museum in New York City, a position he held until 1910. In that year, Fry arranged the first English exhibition of post-impressionist painting at the Grafton Galleries, and became a recognized advocate of modern painting. He was also an influential force in the Bloomsbury group. In 1913 he founded the Omega Workshops which made furniture, pottery, fabrics and other articles in an avant-garde style. The workshops, which closed in 1919, employed such Bloomsbury artists as Duncan Grant and Vanessa Bell, among others. After World War I Fry focused on developing his aesthetic ideas. Between 1927 and 1934 he gave a series of highly successful lectures at the Queen's Hall in London which were sponsored by the National Art Collections Fund. He published numerous articles and books on art criticism and theory, among them Transformations and Vision and Design. In 1933 he became Slade Professor of Fine Art at Cambridge. Although Fry's paintings, chiefly landscapes, were exhibited at the New English Art Club and the Alpine Club Gallery, it was as an art critic that Fry achieved greatest importance. He died September 9, 1934 in London) - https://archiveswest.orbiscascade.org/ark:/80444/xv67034
Editorial Notes
- [Machine-derived non-Latin script reference project.]
- [Non-Latin script reference not evaluated.]
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Change Notes
1979-08-17: new
2025-08-04: revised
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