found: Stendhal. Vies de Haydn, de Mozart et de Métastase, between 1897 and 1910?:title page (Vies de Haydn, de Mozart et de Métastase) page 7, etc. (running title: Vie de Haydn) added title page, page 9 (Lettres sur le célèbre compositeur Haydn) table of contents, page 337 (Lettres sur Haydn)
found: OCLC, 6 November 2019(access points: Stendhal, 1783-1842. Vie de Haydn, Stendhal, 1783-1842. Lettres sur le célèbre compositeur Jh. Haydn; usages: Lettres écrites de Vienne en Autriche, sur le célèbre compositeur Jh. Haydn (date of publication: 1814), Vies de Haydn, de Mozart et de Métastase [as part] (dates of publication: 1817-2019), Haydn et Mozart [as part] (date of publication: 2002); usages in contents notes: Lettres sur le célèbre compositeur Haydn (date of publication: 1817), Vie de Haydn (date of publication: 1970); usage as subject: Vie de Haydn)
found: LC catalog, 6 November 2019:ML385 .B55 1928 (Stendhal, 1783-1842. Vies de Haydn, de Mozart et de Métastase, 1928: The life of Haydn is, in the main, plagiarized from G. Carpani's Le Haydine (Milan, 1812). cf. M. H. Beyle, Vies de Haydn, de Mozart et de Métastase; texte établi et annoté par Daniel Muller, préface de Romain Rolland (Paris, Champion, 1914))
found: Nineteenth century French fiction writers. Romanticism and realism, 1800-1860, 1992, viewed online 6 November 2019:page 286 (Stendhal's first book appeared in 1814, bearing unwieldy title Lettres écrites de Vienne en Autriche, sur le célèbre compositeur Jh. Haydn, suivies d'une vie de Mozart, et de considérations sur Métastase et l'état présent de la musique en France et en Italie; fancifully attributed to pseudonymous Louis-Alexandre-César Bombet; 300 unsold copies republished 1817 with much shorter title, by which work is known today: Vies de Haydn, de Mozart et de Métastase; borrowed to the point of plagiarism from other sources, principally from Giuseppe Carpani's Le Haydine (1812); Carpani discovered the theft and complained in the French press, but the matter was never taken seriously; comparison of Stendhal's text with Carpani's reveals much translation and adaptation, but also considerable originality in style, scope, and critical judgment)
found: Nineteenth-century French studies, Spring-Summer 2002, viewed online 6 January 2020:Bassan, Fernande. Stendhal, L'âme et la musique (review), page 421 (La vie de Haydn (in Vies de Haydn, de Mozart et de Métastase, Stendhal's first book, finished June 1814 before his departure from Paris for Milan); 22 letters; in fact, a plagiarism of letters on Haydn written by Giuseppe Carpani, published 1812; when Vies de Haydn, de Mozart et de Métastase came out, Carpani published 2 letters, which he sent to the principal European capitals, denouncing the plagiarism; a polemic ensued in Le Constitutionnel, in 1815-1816, between Carpani and the pseudo-Bombet; Stendhal brought enrichments to his sources that were always well informed; furthermore, mixed in personal musical souvenirs)
found: Hamm, Jean-Jacques. Approches de Stendhal, 2018:page 37 (Vie de Haydn; emphasis on locating passages taken from Haydine of Giuseppe Carpani has had effect of minimising, underestimating Stendhal's contribution to work of creation)
found: Opiela, Anna. La musique dans la pensée et dans l'œuvre de Stendhal et de Nerval, 2015:page 122 (Vie de Haydn; in Vies de Haydn, de Mozart et de Métastase)
