Bibframe Work

The symbolic form of art

Kant's theory of the mathematical sublime and the boundlessness of the symbolic form of art

The classical sublimity of Judaism

The classical form of art

The original epic

The ideal

The transition to the revealed religion and the romantic form of art

The revealed religion

Representational thought and the romantic form of art

Traces of left-hegelianism in Hegel's lectures on aesthetics

The end of mythology

The significance of Kierkegaard's interpretation of Don Giovanni in relation to Hegel's theory of the end of art

The end of art

The opera as a modern art form

Hegel and Lukács's on the possibility of a modern epic

The problem of a modern epic

The modern epic and history

Civil society as the background to the modern epic

Myth and society : a common theme in the thought of Hegel and Sorel

Sorel's myth of the general strike

Myth and modern ethical life