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Bibframe Work

Title
Traditional Iranian music
Type
Text
Monograph
Contribution
Tani, Masato (Author)
Subject
Music--Iran--History and criticism (LCSH)
Music--Iran--Analysis, appreciation (LCSH)
Music--Performance--Iran (LCSH)
Improvisation (Music) (LCSH)
Dastgāh (LCSH)
Language
English
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Geographic Coverage
Classification
LCC: ML3756 .T36 2024 (Assigner: dlc) (Status: used by assigner)
DDC: 780.955 full (Assigner: dlc)(Source: 23/eng/20240402)
Supplementary Content
bibliography
index
Content
text
Note
Includes translation
Summary
"Improvisation is a defining characteristic of traditional Iranian music. Iranian musicians describe their music as 'impossible to play in the same way twice' or 'able to be performed in many ways,' emphasizing that they do not perform prepared compositions. What exactly do musicians play and how do they play it? How does the musician's individuality and originality come into play? What norms are acquired during the learning process that make improvisation possible? What is the concept of "improvisation" in Iranian culture? The author, a researcher as well as a santoor player, explores these various points based on field studies and personal experiences from studying and playing traditional Iranian music over many years. This auto-ethnography is an attempt to academically elucidate the senses, physicality, and mentality of musicians by engaging with the subject through first-hand participation"-- Provided by publisher.
Table Of Contents
What is radīf : Toward a Redefinition of the Word
The Vocal Image Underlying Notation Reading
Improvisation, Mental State and Memory
Charkh : The Circulatory Paradigm in Performance Form and Musical Structure
Analysis of Gūshes
Change in the Context for Learning Improvisation : The Influence of Writing on Iranian Music
How Can Individuality be Described and Explained?
Verbal Rhythm and Musical Rhythm
Trial and Error on Hammered Dulcimers : Iranian and Indian Santūr
Perceiving and Understanding Through the Fingers : Toward a Comparative Study of Instrumental Somatic Sensibilities
The Santūr's New Physicality : Toward a Geopolitics on the Board of the Instrument
What We Learn from the Radīf.
Authorized Access Point
Tani, Masato Traditional Iranian music